Monday, September 29, 2008

561. Mute Eyes

He had not called. He was not taking calls.

They wheeled her into her own room, just a single bed, white sheets and a solitary window overlooking the grounds of the provincial hospital. She sat the bed in a cotton gown, head turned forty-five degrees, eyes fixed on the window. The room had no smell, clean, bland, insipid. She breathed without moving, foreign air into her lungs, in the care of strangers, alone. Limp, her arms hung, hands in her lap, as they had been placed. Her lips, dry, cracked, felt as her heart, bleeding, cause unknown. Strength absent, waiting for purpose, waiting for a call, a sound in the silence, a ring that someone gave a damn.

Images flashed. Her father at the helm, steadfast, the ship rolling in a storm; her mother, pearly smile, saucer eyes, arms conveying what words couldn't as strength slipped away in heartbeats faint and fainter. Family, connection, relationship. This was life. To care, to love, to act, to hold and caress and kiss, a flower in a vase, a thumb on forehead, strokes gentle.

The room had one bed and one small table next to the bed. Light slatted into the monochromatic cell, bars of shadow, confinement solitary, an antithesis slap to all she had known. Together, she had told her father, we will lift her up. Together, her father had repeated into their embrace, father and daughter drawing upon the other. Together their strength grew, together their love multiplied. Together mattered. Together gave meaning. Together flowed, naturally. Together smothered doubt, held fear at arms length. She sat the room, silent, alone, her unblinking eyes fixed on the window, on the grounds, seeing nothing, neither tree nor leaf, neither flower nor bird.

Spoken, not a word, they had said. Mute of eye too. Her chart said shock. She had seen them, strangers, move today as she imagined they had moved yesterday and as she suspected, they would move tomorrow, with or without her. Their hearts distant, necessity she wondered, grown callous in the labor of care, weary in battles lost. They had even misspelled her name. And through it all were images and silence.

Together, father and daughter had lifted, spirit and casket, when the time came. Together, pure as morning before song of bird, within and not without, they lifted their souls as they lifted the soul of womb to eternal light. The walk seemed forever and an instant, timeless she would say later, the most curious mixing of contradictions, held within something larger, something greater, and, for a moment, as if a crack in the wall of darkness, something flashed, something no word could describe, no concept could hold, and her feet felt to float, casket too, and they walked, father on one side, daughter on the other. Together.

Alone, in the white barred silence, Em sat the bed with doll arms, fingers clawed in natural repose. Her face felt paper thin, fragile, fading in this alien world, some Janus forsaken outpost, cared for in a system doing what systems do, processing, cold, mechanical, the faux caring of one in a play, mouthing words mouthed a thousand times before and to be mouthed a thousand more. The room held but one table. The table sat between bed and window and on that table, a small metal object, neither blinking nor buzzing. He had not called. He was not taking calls. He was not here. He was not coming.

Unnatural, the air. Dry, sterile. Not the air of Hyneria. Not the air of love. They had taken her locket, as they described her brooch. Taken her mother. She had watched them, remove her clothes, take the brooch. Her mind moved, her arms did not. And cold foreign hands took the enclosure, their placid unreadable faces illuminated in the pulsing light. She saw her arm resist, in her mind. They placed it in a box. Her mother. They didn't know. She could not speak, her words gone as moments are gone, her chest constricted, caving into itself, a fetal curling, involuted, he would have said.

Would have. Past as present. The world, this cold, alien, foreign world, white, sterile, alone, the silence of the guilty. It wasn't suppose to be this way. Mother had died at home, in loving arms, in familiar surroundings, flowers and poetry, light warm as wood, hands as caring as the bee to flower. Love is round, she had said, not a line or a square but a circle. In bed, pillow under her head, her hair combed, her eyes clear, she raised her left hand into mine, her right hand into father's. A circle she said as father and I joined hands, love is.

Leaves slipped from moor, dancing before the window, a sight best shared, imbibed like children's laughter, hearts drunk with innocence waiting the sentence of time. Innocence held not weight, nor past, nor future. Moments laden as pregnant dew, happy in their own accord, glistening in the light of possibility, the kind of possibility that knows not failure. Her weary unblinking eyes thought of fairy tales and wondered why. Why the silence.

15 comments:

Stargazer said...

Wow, very intense. Wonderful description. I think I missed some story components, so I'm not sure about certain things. But I always love where you venture...

Trée said...

Thanks Deb. Your kind words are always appreciated.

Autumn Storm said...

Pace, when you write, invariably, artfully, corresponds with the happenings within. Stillness, then shift, observance, query, memory, wish. The room described one part at a time, the preceeding included, bed, bed window, bed table window, the order, drummed, reinforcing the lifeless silence of the room and her own still, silent form within in stark contrast to the pivotal role that she held within the circle described in rooms past. With her words It wasn't supposed to be this way. we are convinced that Em, if not believes then suspects that she is dying, but the imagery throughout pertaining thereto is superb. We, we being Trev and us (the readers), could ascertain there be a reason Em has not called having seen the ambulance taking her away, but more than that, though Trev, locked, is unable to hold logic or knowledge within his grasp at the moment so it seems, Em would not (one imagines from what we know of her) leave without word, would not leave someone to worry, would not fail to make contact were it possible. As I read this chapter, read of her aloneness, read of her isolation, thoughts wash over of all that has happened over the past 2 or so years since we first learned of her presense aboard Bravo. (The trip to Neraj. The mission in search of the Hynerian pod. Her blindness. Her strength. Her determination. Her reasons. The conversation that she had with Kyra about her reasons for accompanying them. To name a few of those thoughts/memories.) Togetherness, lived, seen, felt, surrounded by, always, missed, desired, believed reachable, believed found, and yet always so fleeting, so sheer, vaporous, that were it not for her will, or to put it better if not for her heart, it could very well have drifted on the first breeze. Her solitude, surrounded by distant hearts, strangers that know nothing of her not even her (correct) name as they, the observations, stand opposite her memories. Her brooch taken and placed into a box as she remembers the circle of love even in death as her father held one side and she the other of the casket, extremely poignant imagery, body only encased, until now, Em now, alone, unable to move, unable to speak, cared for only in clinical terms as compared with the memory of her mother's last days, surrounded, held, cared for in every way, mattering. Still in death, her spirit held within a brooch, love enduring and the living Em sits, hands as they had been placed, again just fabulous, without sign or evidence that anyone cares. So many truly delightful sentences, in a literary sense if not always in literal meaning, that I know not which to chose as example...mouthing words mouthed a thousand times before and to be mouthed a thousand more is perhaps one of the less obvious, I plain fell in love with that sentence and couldn't help but wonder what such a sentence might sound like said by someone like Lauren Bacall, a dance of the tongue (the twist if one wanted to get technical;), absolutely delicious, an an example of the above, in a literary sense, in context distressing, for this being Em, for those like her who have sat with the same thoughts/feelings of apartness of helplessness of there being no loved ones there, dismay for those that will/might be in this position one day, strangers, kin, ourselves. One of the most famous Shakespeare quotes The course of true love never did run smooth, these two have had a rocky path to say the very least, Hynerian souls one can only hope that with compassion, with love, with faith, hope, all of them, truth, mercy, peace, this will not be the smasher so to speak, for for all the times many others may have cut their losses, their moments have been pure and whole and everything each of them yearns for, needs. In the end it may come down to time, timing, to Trev 'not being there yet'. But something tells me, a love of happy endings though it may only be, that Em will 'carry them home'. But there I go again, speculating on what comes next, instead of staying (sitting with her) in the present moment, instead of mentioning the writing so very much more than worthy of mention. Each of them sitting still, separately, and separately surmissing that the other must not care, presuming that there is means to comm and choice not to, each of them wanting some sign that they are not alone, desperately sad and unnecessary it all is, and unknowing to an extent at least, as much as most emotional pain caused is, and yet again there is a sense of it being fated, that being who they are, Trev in particular, the flow would clot. Then, now, the contrast and most of all the way in which you show us Em, her person, her thoughts, with anguish one watches and not for the first time being just a reader is a matter of some regret. Of having no influence, of not being able to Alice ones way therein and offer for whatever it is worth something, even if it is just a hand in which to reposition one of hers. A while since I have commented on your simplicity, descriptive phrases such as caving into itself is a perfect example thereof, no dilly-dallying, no mere attempt, no verbiage, this is the difference, the measure of quality. When you use elaborate sentences it is for beauty, for poetry, for symmetry, for love, to delight and delight in, I on the other hand am not wording my point well, but long, short, nothing is superflous, nothing is unecessary or meaningless or without direction, in short you make your point always in such a way that improvement there upon, any time-cutting, any further clarity, seems like it would be impossible to achieve. And what I love about that, fairly obvious though it may be, is the confidence that you have in our shared knowledge, just as language and communication at its base makes a door a door, it seems to me you have a great understanding of our communal capacity, what that entails and how to reach it, to bring words read within. I know what I mean. The simplest things seem often to be the hardest to communicate, emotions likewise. With imagery, with words, with insight, you do so amongst the best of them. Why the silence. That last sentence is the 'antithesis' of simple. :-) Then again, on the other hand,....
The sum of which = Excellent piece of writing.

Jack B. said...

Very beautiful...and the picture works so well. It's like the leaves of memory whirling through the mind.

sgdish said...

Beautiful and talented writing!

Trée said...

Thank you SG

Trée said...

Jack, always nice to see you stopping by.

Trée said...

Sunshine, one day I'm going to teach you how to use paragraphs. :-D

As always, thank you for the wonderfully thoughtful comment. They are the dessert at the end of my meal, anticipated, savored, relished and over much, much too quickly. :-)

snowelf said...

mute eyes...

I'm curious... Do these types of phrases hit you throughout the day and then you incorporate them into the story and form the characters and words around them, or is it the characters and story that form the words. You just always have the most amazing and poetic ideas and I was just wondering.

--snow

snowelf said...

p.s. I am using the sphere-rainbow graphic as my desktop wallpaper right now. it's sooo cool!

--snow

Trée said...

Snow, interesting question. In most cases, like this one, the phrase occurred in the writing, the character appears in my mind and within the flow of the chapter unfolding, the phrases and imagery, for lack of a better way to say it, simply appear. Thank you for the very kind words. Always appreciated. Nice to know too that you liked the image. :-)

Have a great weekend my little ninja. :-)

Mona said...

that is a poignant spell that you have cast. It is really sad & must be excruciating , waiting for someone so close to pass away...just like that... from one world into another. Slip away & gone! How horrible!

Trée said...

Mona, always a pleasure to see you stopping by. As always, thank you for the very kind words.

j said...

Gosh my heart aches for Em. She is hurting in the present and because of the past. So much loss.

And you conveyed it so well.

Trée said...

Thanks Jen. :-)