first times
some writing on the first read
blows me away
and on the second read
is still damn good
but by the third
starts to fall apart
______
by the time I read my own writing
all I see are thirds
_______
I think back on so much of my life
so many places I travelled
where the memories are golden
yet, never, it seems
are they golden twice
never in the same way
_______
I wonder if kisses are this way
so I wrote:
I want to kiss you
just once
and I want it known
between you and I
before;
there will be no
other
this is it
this one kiss
______
now imagine that
______
imagine living this way
to love something so fully
so complete
we can let it go
______
imagine each day this way
each hug
each look
each touch
where fingers are galvanic
and shoulders soft
and breath warm of wintergreen
______
and to love something so purely
there is no longing
or wanting
or wishing
or regret
______
and there is no desire
to go back
to look back
upon what is no longer there
______
nor to look forward
______
imagine that kiss
that eternal melting of flesh
of breath given
and taken
of arms as vines
and eyes with nowhere else
to be
20 comments:
I am gonna go imagine this, but wanted to comment first, as this kind of imagination will require my eyes closed in order to do it properly!
Wonderful, wonderful writing.
It takes practice and skill, I would imagine, to live so firmly in the now. I haven't developed that state of zen yet. And let go of something one loves? How big a person I would think myself if I could do that well. You fired up a lot of internal energy in me this morning.
I sometimes wish I could, ...but I can't... not yet.
I'm not sure if this is possible. As love grows it changes as a flower changes as it grows. The trick is to keep love alive. Like keeping a rose bush alive. The rose will die, but eventually a new one will appear. If fed correctly, I believe, love can be an ever changing experience. A new light every day, a reason to wake up, a reason to go to bed, a reason to...be. Just like no two flowers are exactly the same, for lovers no two days are exactly the same.
sigh
but what do I know...
Aw, Badger.
LotL, once again, I am right with you. Well said!
This one really has me thinking, alot. It's beautifully written, but I don't think I can agree with the content. I mean, I understand where you're coming from, but, If you truly loved someone, how could you walk away with one look, one kiss, one hug, one touch? Could you take just one bite of a brownie and never have another bite? Not if you're a true chocoholic. The question is would you really want to? Using the brownie metaphor, would you not have another bite in fear that it may not be as good as the original? You even state "that eternal melting of flesh", if it's eternal then it can't be just "a first". Oh well, I know this is more about "the writing" than the content. Just Sayin...:-)
Well LotL, perhaps this post is about dying to everything but the present moment such that each kiss is as the first. Dying to everything that keeps the first from living in the eternal present. Just sayin'. :-P
OK, well, why didn't you say so. I don't usually think of dying in the same since as that "first kiss". Unless you're speaking of "dying FOR that first kiss". Let's see, I think one can only "die" once, and sometime the second kiss is better than the first. For you see, kisses, like wine, can get better. Just sayin'.
;-p
Again, I think the writing itself is fantabulous.
Trée, you write "perhaps this post is about dying to everything but the present moment such that each kiss is as the first. Dying to everything that keeps the first from living in the eternal present."
I love this guy! :~)
Tree, I can't. I'm pathetic. Human. Small. I can't even imagine. I can work myself up, hands all aflutter and almost, almost get there, but I can't. Fall flat on my ass. I want for tomorrow and love yesterday. Eternally swooped up in the linear line, or hell, even concentric rings, but never just now.
BUT holy shit, what a thought, what a way of living! But it is impossible, and yes, sometimes the second is even better than the first. Or how 'bout that time that snot was running down from my nose and he kissed me succinctly, mouth to mouth 100% lined up, and still managed to use a finger to bridge the flow of snot that threatened our lips. Didn't even wipe his hand. How 'bout that time? Oh, I can't possibly trade yesterday and tomorrow for that one perfect kiss or I'd lose this imperfect one that feeds me all the same.
Theoretically it is gorgeous. As is your poem. Brilliant, really. Just impossible.
xo
erin
Thanks Cat. I try. I can say that much. The effort is there.
Limes, I have had only fleeting glimpses of a pure nowness; and those times have all been occasioned by the deepest pain; yet, in that pain, the hint of insight, of how it could be, if only I were more enlightened and less so damn petty.
Badger, I hear you loud and clear. One day, we should share amber whiskey lifted to the gloaming desert horizon.
LotL, your kindness is noted and my debt acknowledged.
Constance, feel free to repeat that often and with verve. :-D
Erin, I feel the need to do a Vulcan mind-meld with you. Among other things. ;-)
Just the one kiss. I think there would need to be a smouldering build up to make the 'just one kiss' the best there ever was that no other kiss could compare... Maybe, like an old fashioned courtship where the love has burned wildly and strong before customs would allow that first kiss...
it isn't easy to write about this topic and be natural, avoid clichees or sentimentalism - you did it! and it's good. i like it very much, yet i am torn apart: half of me goes blindly with you here, needs that passion, this way of embracing the moment as one gives herself or himself to death - half of me is with Erin: "sometimes the second is even better than the first" - to go deeper and deeper into that hunger and tenderness, this is a different way of love.
Jasmine, give me the chance, just one opportunity, to pour all that I feel, that I harbor, into you.
Roxana, one day, we should share the amber liquid. If nothing else, to know the eyes that can write the way you write.
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