Von stood, somewhere between in-breath and out-breath, in the moment when the mind whirls, not in gear, neutral, spinning, faster and faster, the feeling of a drain draining, picking up speed, disappearing, the pitch, the sound, higher and higher, slipping away, threatening to break free, a nut un-tight, set free, as a fan comes loose, blades sharp, out of control.
His arms, forklift empty, rusted frozen, feeble in emptiness, uselessness, a vessel without water, a bird without wings. Palms and fingers clawed in disbelief, dry, topographical wrinkles drawn in time, deepened with labor, highlighted by worry. He blinked, with cheek as much as lid, as if in the blinking one could change slides, and in the dark of the click, the click of (slide) projector, where for an instant the room is dark, and amorous hearts beat a little faster, where there is doubt if the wheel will move back, if the slide of before will appear again, if time itself can be toyed, in that instant, a thousand images flashed, each as a coin, double sided, image and emotion, picture and feeling, each needing the other as color needed light.
Leaves fell, in his mind. Thousands of gold medallions, round as coin, the ground a golden carpet, falling, falling like lazy snowflakes, filling the sky like flock, a thousand mini suns, transparent as fragile, messengers each, story consistent, whispered on the wind, caressing the cheek and light in the hand. The image persisted as did the desire, the desire to stand under tree, feet in leaves as if in ocean, a warmth, a cleansing. His mind stuck, stuck in the image, in the idea, a dance of light, a play of neurons, apparitions of consciousness and memory. He didn't want to rake leaves, he wanted the idea of raking leaves, the peace, the solitary sounds of nature, the pungent smell of death and dying, of the relentless grinding cycle, the inevitable turning circle, to be ankle deep in truth, to be stripped of illusion, to let drop the tail of desire, an irony not lost in the lostness, a sign of trap-ness, limbo, of this world and the next, of numbers that don't add up, of colors that shift under changing light, where pain and pleasure change clothes and all of life seems a masquerade, eyes and minds moving behind static glittering facades and everything known becomes unknown and everything unknown becomes loyal and faithful and trusted.
The fount bubbled forth as it had bubbled forth before, the chaplain photograph still, his face unreadable. This is the image John saw, Em in his arms, Ariel at his feet, Kyra walking as soldiers walk in retreat, in silence, dark with rain, numb by instinct, dead to yesterday, dead to tomorrow, living in the sheltered cave of now.
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The chapter above was based on the following notes discovered in one of Von's journals:
--age: old like not old, but old like the urgency of gardening before the coming storm, coming it will, inevitable, still able, so not too old, but coming it is
--mind: always spinning but not always in gear; questions must be shifted, manually, to get moving, to be productive; likewise, an image, a lyric or a passage of good writing can kick the mind into gear
--psychological prisons: we never reveal all, we always hold something in reserve, what is most raw is held back like a retarded child--embarrassed we are at how little we control; we are and the "areness" is with or without us; and this "being of something other" is frightful
--leaves: I want to rake leaves, not actually, but in my mind; I want the romanticized idea of it, of the peace and beauty, the tactile feel, the earthly fragrance of death and dying and the circle
--age: rounding the circle not quite complete -- from baby to baby, only age and size to distinguish -- rounding eleven he would say, or, on a good day, maybe, ten -- either way, midnight was coming and the fear was not of the hour struck, but of the final hour -- to put bluntly, the hour where one could no longer wipe one's own arse, the hour where you starred into faces speaking gibberish, speaking baby talk and your desire was not to talk back, but to slap the shiott out of adults that should know better -- and you smile inwardly, knowing, their day was coming, that you would not be around to enjoy it lessened not the pleasure of imagining it